波眼观点，李素超，韩梦云：“沉默的形状”

不安的绘画，栾诗璇，UCCA Edge, 上海

Painting Unsettled, Luan Shixuan, UCCA Edge, Shanghai

artnet, 沈逸人，今秋，关注这些未来当代艺术史的参与者丨上篇

Limited Views, Li Suchao, Han Mengyun: Night, 2022

展览现场×对话艺术家 | 韩梦云: 夜, IS A Gallery, 2022

一本“编”出来的诗集, IS A Zine, 2022

ArtAsiaPacific, Pamela Wong, Everyday Poetry: Han Mengyun, Issue 128, MAY/JUN 2022

The Thinker, Cai Zhenyu, Mirrors of Civilization: Some Thoughts on Han Mengyun’s “The Pavilion of Three Mirrors”, 2022, Issue 73

ArtAsiaPacific: Paul Laster, Crossing the River by “Feeling the Stones”

Artforum, Rahel Aima, STEPPING STONES: The Saudi scene takes the world stage, January 27, 2022

《信睿周报》，蔡震宇, “二画师竞技”叙事与永恒哲学:《三镜亭》随想, 第73期

Ocula: Diriyah Biennale Announces Artists for First Saudi Art Biennial: Han Mengyun's The Pavilion of Three Mirrors

Pro Helvetia, The Dwelling Place of the Other in Me: Han Mengyun, Dorota Gawęda + Eglė Kulbokaitė, Power Station of Art, Shanghai

artcritical, Jonathan Goodman, Mengyun Han at the Today Art Museum

Review, Sthaneshwar Timalsina, Splinters of Jade: A Postscript

玉屑集 · 跋 / Sthaneshwar Timalsina

Dangdai, Rubén Pose, Manchas Taoístas​

In Between Islands (artist monograph), Chong Fu, Whence things have their origin

In Between Islands (artist monograph), Jonathan Goodman, Elegies for Emptiness