Inscription of Time is another attempt to incorporate digital means to my process. The image was a rubbing from the rough surfaces of an oil painting that was drenched in ink. The rubbing presents itself as a visual narrative on the painting’s sense of touch. The enlargement of the image through the same process prolongs the time of viewing while the visualization of the sense of touch complicates the experiences of seeing. 

Naksatra (meaning star in Sanskrit) is also a digital reproduction that originally came from my iPhone photos. It documents a specific transient moment of an in-process painting which was later covered up to satisfy my curiosity in furthering the painting. This precious painting memory that cannot be recreated is fortunately retrieved through digital reincarnation.